Voyeurs Unite
I'm a lowly multi-media reporter from New York State and probably just a figment of your imagination. Carry on.
Voyeurs Unite
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cute-overload:

My girlfriend’s rat dog doesn’t let me poop in peacehttp://cute-overload.tumblr.com

I WOULD HATE THIS - I ALREADY HATE THIS
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asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
asylum-art:


Marina Cano photography
‘Spanish photographer Marina Cano’s stunning images capture the majestic beauty of nature and wildlife.
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Yeah I bought that dress for $5 
Thrifting Level: Expert
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asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
asylum-art:

陈江洪 Chen Jiang Hong
on artnet
Chen uses calligraphic techniques and paints on the floor with long wolf-hair brushes. Each brush stroke is a definite, irreversible moment that cannot be changed. The compositions are made up of strong black brush strokes balanced by smoky volutes and tactile sawdust. The subjects are often oversized and blurred, as if Chen has captured a fleeting moment in time. The large-scale ‘close-ups’ have an immediate impact on the viewer, emphasising the materiality of his painting.
Chen’s work translates the vitality of nature with a rare elegance and an extraordinary energy. It would appear to embody the philosophy of Oriental sumi-e – where the aim is not to reprod
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Album Art
5,439 plays  - Download
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themuslimavenger:

"And as things fell apart, nobody paid much attention."
Recent picture taken in Gaza.
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My father’s most recent FB status update is reason #52308539485 why he is the best father of ever. 
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Skullaton
249 plays 
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no but srsly nice t-shirt
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YES
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These are my best friends where I live on Long Island’s East End.
Don’t worry - I’m even jealous of myself.